『古今和歌集』の言葉技巧から見る「物の哀れ」

Analysis of ＂mononoaware＂ from a pespective of language trick in Kokinnwakasyu

日本古典文艺理论“物哀”一直以来都是日本文学研究领域的热门话题，但其研究范围大都集中在《源氏物语》及其周围的文学作品上。通过学习和鉴赏《古今和歌集》，笔者认为，在该和歌集里的大量作品中，特别是在其颇具特色的文字技巧和游戏中，读者可以品味出“物哀”思潮，该时期的“物哀”，渗透着作者内心的孤独和凄凉。其孤独之美，正是平安时期和歌细腻而不失情感的特色之体现。

Japanese classical art theory mononoaware has been a hot topic in the Japanese literature research, while most of researches just focus on Genjimonogatari and those related literature works. By studying and appreciating Kokinnwakasyu, the author states that readers can taste the thought of mononoaware presented in many works of it, especially from the language trick. Mononoaware in this period embodies authors＇ loneliness and bleakness from their inner hearts. Such beauty of loneliness is the very representation of delicate and affective wa ka syu in hei an period.