传统戏剧展览的物质性与非物质性--以“偶·影·戏--中国木偶皮影精品特展”为例

Materiality and Non-materiality in Traditional Drama Exhibitions —A Case Study of“Chinese Puppetry and ShadowPlays Special Exhibition”

传统戏剧文化在当代社会遭遇到了严重的生存危机。博物馆的现代转向使其在物质性追求导向的前提下,逐步加大了对传统戏剧非物质性方面的保护。博物馆的静态性展览传统与戏剧的灵动性演出本质,在传统戏剧文化展示的特殊语境中得以融合,从而有助于实现传统戏剧的物质性与非物质性双向保护。

The culture of traditional drama has encountered a serious survival crisis in contemporary soci- ety. With a modern turn, however, museums have gradually escalated protection of intangible elements of traditional operas in the premise of pursuing materiality. The convention of static ＂shows＂ of museums and dynamic nature of drama ＂performances＂ are converged in the special context of traditional drama dis- plays, which contributes to the bi-directional protection of both materiality and non - materiality of tradi- tional drama.