《厨子·戏子·痞子》:狂欢影像中的崇高叙事

“The Chef,the Actor,the Scoundrel”: Narration of a Noble Proposition in Image Carnival

影片《厨子·戏子·痞子》是第六代导演管虎继《斗牛》《杀生》的最新作品,沿袭了导演一贯的叙事风格,电影中娱乐元素的多重拼贴、夸张荒诞的影像狂欢与隐喻离奇的意义表征对影片整体喜剧风格的建构无处不在,在空间领域与时间轴线的交叉叙事中,黑色幽默混搭抗日救国的爱国情怀,从戏谑性消解崇高到重构崇高命题,在喜剧元素与狂欢叙事中凸显英雄主义色彩。

The movie ＂The Chef, the Actor, the Scoundrel＂ is the latest work of Guan Hu, the sixth- generation director. It follows a consistent narrative style of the director, with multiple collages of enter- tainment elements, exaggerating and absurd image carnival as well as metaphorical and bizarre representa- tion of meanings everywhere in constructing the comedy style of the whole movie. In an alternating narra- tion between space and time, black humors are mixed with anti-Japanese patriotism; from slacking the noble proposition in teasing to reconstructing one, heroism is highlighted.