论民初鸳鸯蝴蝶派的戏讽话语方式及作家体验——以《自由杂志》为中心

On the Persiflage Discourse Mode and Experience of the School of Mandarin Duck and Butterfly in Early Days of the Republic of China——A Case Study of Freedom Magazine

民国初年,以《自由杂志》为代表的鸳鸯蝴蝶派期刊形成了自身独特的"滑稽"、"诙谐"、"游戏"的戏讽话语方式,这成为重新标注此时鸳鸯蝴蝶派面相的一个重要依据。这种看似娱乐休闲而实际是通向"救世"与"觉世"的话语方式不仅呈现在鸳鸯蝴蝶派文人的办刊宗旨、文学主张中,在其各类文章及小说创作中也得到了鲜明的体现。这种戏讽话语方式一方面难以切断从晚清至民国的纵向文学发展链条;另一方面,独特的时代语境与作家体验相契合,也使鸳鸯蝴蝶派作家找到了一个适合表达自我的突破口,而且在戏讽话语的背后渗透着作家们全新的民国"共和"语境体验、"小群体"的共性体验,以及延续晚清"新小说"语境的复合型体验。

In the early days of the Republic of China, as the representative journal of the school of mandarin duck and butterfly, Freedom Magazine formed its unique persiflage discourse mode, which became an important basis to relabel the face of the school of mandarin duck and butterfly. On one hand, the birth of this discourse mode is difficult to cut off the literary chain from the late Qing Dynasty to the Republic. On the other hand, the coincidence between the unique context of the period and the writers＇ experience made they find a suitable point to express themselves. Meanwhile, the persiflage discourse was permeated with the experience of the new Republican context, common experience of the small group, as well as the composite experience which extended the context of the new novel in the late Qing Dynasty.