摘要
《古诗十九首》在中国诗史上占有重要的位置,它代表了汉代文人五言诗的最高成就。细品其味,全部诗篇都透着一股或淡或浓的悲伤,既有思人思乡之悲凄又有建功立业之悲慨,既有早衰速老之悲怆又有人情世态之悲凉。更为特别的是,它将"悲"与"美"高度和谐地统一,激起读者心灵上的审美"激动",这就是《古诗十九首》"以悲为美"的独特艺术魅力。
Anthology of Nineteen Poems is very important in the history of Chinese poems. It shows the highest achievement of Poems with five characters a line by the scholars in Han Dynasty. The anthology is somehow drenched in sadness of both sickness of people and home and grief of achievement. The unique artistic charm of it is that it perfectly combines beauty and sadness, which can arouse the readers＇ aesthetic emotions from the heart.
出处
《运城学院学报》
2013年第4期67-70,共4页
Journal of Yuncheng University
关键词
《古诗十九首》
以悲为美
审美特征
Anthology of Nineteen Poems
taking sadness as beauty
aesthetic features
