戏曲审美的歌舞性和戏曲音乐的剧种性

The Song and Dance Nature of Traditional Chinese Opera's Aesthetics and the Operatic Type Nature of Its Music

戏曲的审美关注点在于歌舞表演,话剧的审美关注点在于故事。话剧表演逼肖生活与故事密不可分,其审美角度在于"真"。剥离故事表演没有独立的审美意义;戏曲表演运用提炼自生活的歌舞程式,其审美角度在于"美"。剥离故事表演仍具有独立的审美意义。话剧审美通过表演看故事,戏曲审美通过故事看表演。话剧的灵魂在于文学,戏曲的灵魂在于歌舞。"一剧之本"文学性的过分强调不利于戏曲发展。戏曲音乐的发展必须坚持剧种性的原则。

Traditional Chinese opera＇ s aesthetics focuses on the singing and dancing perform-ance, while stage play＇ s aesthetics concentrates on the story. Stage play perform- ance is closely related to life as well as story and its aesthetics lies in ＂truth＂. Strio-ping the story out of the performance, the stage play will no longer have its aesthetic meaning. For traditional opera, however, its performance applies the singing and dancing. formula extracted from. life, so its aesthetics lies in ＂beauty＂. Without stor- y, this kind of performance st!ll possesses its aesthetic meaning. As far as stage playaesthetics is concerned, people understand the story through performance, while for traditional opera aesthetics, people pay attention to the performance through story. Literature is the soul for stage play, while song and dance for traditional opera. Put-ting too much emphasis on the literature feature of a play script is not favorable for traditional opera development. The development of traditional opera music must stick to the operatic type principle.