摘要
"文革"后20年是古琴音乐与琴学研究的重要发展阶段。琴学研究在经历了"文革"的动荡后,在研究的深度和广度上都得到了长足发展。本文就"文革"后20年,琴学研究所涉及的音乐本体、琴乐美学、琴乐律制、琴器、琴谱、琴用指法等各个领域进行论述。
The twenty years' period after the "Cultural Revolution" is an important develop- ment stage for guqin music and study. Guqin research developed greatly in the de- grees of depth and extent after the turbulence of "Cultural Revolution". As far as this twenty years' period is concerned, this paper discusses the following guqin as- pects: music-in-itself, music aesthetics, music temperament, the instrument, the score,the fingering, etc.
出处
《乐府新声(沈阳音乐学院学报)》
CSSCI
2013年第3期32-40,共9页
The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
基金
"教育部人文社会科学重点研究基地重大项目"<20世纪琴学研究>中的一个章节。项目编号:07JJD760089
关键词
“文革”后20年
古琴
琴学研究
twenty years after the "Cultural Revolution"
guqin
guqin research