从《梅边吹笛谱》看清代学人之词的新变

The Innovation in Ci Poetry by Scholars of Qing Dynasty as Seen from Meibianchuidipu

乾嘉时期为经学繁盛的时代,词学也衍生出新变的质素。学人之词成为词坛的创作主流,词体之尊基本实现。凌廷堪的《梅边吹笛谱》体现了创作与词学的交融,具有较高的艺术价值,体现了清代学人之词的特质。

The period of Qianlong and Jiaqing was a properous period of the Confucianism, so there were also some innovative aspects in the field of Ci poetry during this period. The Ci poetry by some scholars represented the main stream in the field and the status of Ci had improved. The combination of practice and theory is shown in Ling Tingkan＇s Meibianchuidipu, which has a rather high aesthetic value, presenting the specific features of the Ci by scholars of Qing Dynasty.