生态美学视域下的许地山创作

The Creation of Xu Dishan on the View of Ecological Aesthetics

许地山的创作呈现出鲜明的生态美学特征,具体表现在世界的返魅、反人类中心主义与生态自我三个方面。其创作显现的生态美学特征植根于深厚的宗教文化土壤,尤其是基督教与佛教。基督教与佛教构成了其创作的神学基础,并给予其创作深层的理论底蕴和书写动力。

Xu Dishan＇s creation exhibited obvious characteristics of ecological aesthetics which presented three factors; the reenehantment of world, anti-anthropocentrism and ecological self. The ecological aesthetic features in his works were rooted in deep religious-cultural soil, especially Christianity and Buddhism, which constituted the theological foundation of his creation, and gave him the theoretical thought and writing motivation.