摘要
一直以来,人们认为诗歌的实质是隐喻。然而,认知语言学认为隐喻是人类基本的认知机制,在日常语言中随处可见,那么,诗歌隐喻何以不同?我们发现,古典诗歌中隐喻的转喻的频繁互动,造就了诗歌语言层峦叠嶂的审美意趣。或者说,诗歌的实质是隐喻和转喻的互动。本文运用Goossens的隐转喻理论探讨古典诗歌中隐喻与转喻互动的类型,并对Goossens的理论提出了修正。
It is held that the essence of poetry lies in metaphor. However, cognitive linguistics believes that metaphor, as one of the fundamental human cognitive mechanisms, is quite common in our everyday use of language. Then, what makes metaphors in poems different? It is the frequent metaphor and metonymy interactions that create the multi-layered aesthetic charms of ancient poetry. In that sense, we can say that the essence of poetry lies in the metaphor and metonymy interactions. In this paper, we analyze the types of metaphor and metonymy interaction in ancient poems by applying and revising Goos sens ' metaphtonymy theory.
出处
《广东外语外贸大学学报》
2013年第4期43-47,共5页
Journal of Guangdong University of Foreign Studies
基金
国家社会科学基金资助项目"中国古典诗词中的隐转喻现象"和中国科学院大学校长基金"西方认知诗学与中国古典诗学的比较研究"的阶段性成果
关键词
古典诗歌
隐喻
转喻
隐喻和转喻的互动
隐喻和转喻互动的类型
ancient poetry
metaphor
metonymy
metaphor and metonymy interaction
types of metaphor and metonymyinteraction