论《周易》中的赋、比、兴

Research on Fu,Bi and Xing in Zhouyi

从"心物关系"的角度对赋、比、兴加以理解,并将《周易》看成一部原始歌谣集,可以发现赋、比、兴的表现手法早在《周易》中就已初现端倪。只是《周易》中赋、比、兴的运用还显得较为稚嫩,并不成熟。赋体多是短章,兴体数量也较少,往往比、赋,比、兴合用。虽然赋、比、兴的运用并不成熟,但却增加了《周易》卦爻辞的文学色彩。

It is in Zhouyi that Fu, Bi and Xing can be found as early as possible from the view of ＂relationship of emotion and object＂ when Zhouyi is considered as primitive ballads; it is relatively immature, though, The style of Fu is almost short chapters; the quantity of Xing is relatively small; it is usually appeared as a combination of Bi and Fu, or Bi and Xing. Although the use of Fu, Bi and Xing is not mature, it has increased the hexagrams literary of zhouyi.