摘要
本文详细地调查了试验区域的法器和彩绘的病害,对彩绘的病害机理和绘制工艺进行了研究,确定了修复技术路线和修复工艺。此次修复研究的重点放在法器和彩绘的补色上,在补色过程中遵循了全彩的原则。针对法器彩绘残存不同的情况,本文采用三种不同的补色方案,并通过研究总结出法眼和背景云纹的补色规律。
This paper investigates the diseases of religious instruments and color paintings in the experimental zone of the Thousand-hand Bodhisattwt Statue; and it studies elements of the diseases and patterns of the paintings. On the basis of lhe examinations, restoration approaches and techniques are developed. Depending on distinc, t conditions of the preserved paintings, we apply three agendas of re-painting. Also, this research allows us to summarize the law of the re-coloring of eyes and cloud-shaped patterns.
出处
《中国文物科学研究》
2013年第3期42-48,共7页
China Cultural Heritage Scientific Research
关键词
彩绘法器补色法眼云纹矿物颜料
Color Paintings, Religious Instruments, Re-Coloring, Eyes of the Thousand-hand Bodhisattva, Clnud-shaped Pattern. Mineral Pigments