摘要
在文本细读的基础上,结合沈从文的创作心理和小说产生的环境,对其代表作品《边城》中的"黄昏"意象进行解读。文章主要由语词、意象、主题三个层面来展开。通过总结"黄昏"意象出现的次数,在对"黄昏"各个意象进行分析之后,提出《边城》表现了人神(主要指傩神)之间隔阂的悲剧,传达沈从文对本民族(苗族)在汉族文化冲击下可能被湮灭的担忧的同时,还表现出沈从文的现代性反思。
By combining the writer' s mentality with the social environment of the production of the fiction, this paper interprets the imagery of "Twilight" in Remote Town in the following three aspects : diction, imagery, and theme. By summing up the occurrence of and analyzing the imagery of "Twilight" in the story, the author concludes that Remote Town shows the tragic gap between the worldly beings and the Gods (God Nuo in particular) ,which represents the impact of Han culture on the Miao nationality. Therefore, Remote Town expresses Shen Congwen' s concern and worry about the cultural conflict between Miao and Han nationality, which is also his modem reflection.
出处
《西南石油大学学报(社会科学版)》
2013年第5期110-115,共6页
Journal of Southwest Petroleum University(Social Sciences Edition)
基金
2013年度云南民族大学校级研究生创新项目"孤独的看云者--沈从文在昆明时期的创作研究"(2013YCX08)
关键词
《边城》
沈从文
黄昏
意象
傩神
苗族
现代性反思
Remote Town
Shen Cong- wen
Twilight
imagery
God Nuo
Miao nationality
modem reflection