摘要
中国文学史写作从借鉴模仿到学科自觉用了近半个世纪,期间,有西学东渐的移植,有从课堂讲义到学术专著的提升,亦有文学史观从多元到一元的整合。20世纪30年代,文学史书写迎来了一个短暂的辉煌期,文学史家辈出,文学史著述大量出版,朱自清、周作人、赵家璧、李何林、周扬等人的写作实践在为新文学史确立体例范型和时空架构的同时,也在进化论、阶级论、革命论的映照下,彰显出不同的成色。
From imitation to subject consciousness, writing history of Chinese literature experienced nearly half a century. During this period, it had learnt a lot from the west. Concept of Literary history has experienced from mul- tiple to single. In 1930s,writing history of Chinese literature came into a brief but brilliant period. There were many literary historians and literary works. Writing of Zhu Ziqing, Zhou Zuoren, Zhao Jiabi, Li Helin, Zhou Yang have made a great contribution to New Literary History.
出处
《中州大学学报》
2013年第3期1-9,共9页
Journal of Zhongzhou University
基金
国家社科基金项目(11BZW101)
上海市曙光计划项目"重写文学史思潮与新时期上海批评家群体"(10SG43)
关键词
新文学史
写作实践
知识型构
借鉴模仿
学科自觉
观念新变
history of new literature
writing
knowledge system
imitate
subject consciousness
new idea