摘要
本文以杜衡的创作、批评、编辑活动为中心,考察1930年代写实主义的流变,梳理《现代》与《文学》的观念冲突、人事纠纷。
Focusing on Du Heng＇ s activities of creation, criticizing and editing, this paper observes the evolution of realism in 1930s, discusses and analyzes the idea conflicts between Modern and Literature, as well as some personal disputes.
出处
《南京师范大学文学院学报》
CSSCI
2013年第3期65-73,共9页
Journal of School of Chinese Language and Culture Nanjing Normal University
基金
2013年度国家社科基金一般项目"知识分子
文艺与革命的同路及歧途(1927-1937)"(编号:13BZW149)
