新世纪中国电影现实主义的生存境遇分析

An Analysis of the Survival Situation of Contemporary Chinese Film Realism

新世纪以来中国电影现实主义处在一个新的生存语境当中。可以从文化语境、电影的全球化格局以及电影的产业环境三个方面来看。新世纪以后,大众文化逐渐取得主导性社会地位,社会的审美需要从理性认知转向了感性娱乐,官方立场和精英立场也转向了大众立场,这使中国电影现实主义的审美取向受到了挑战;全球化电影格局的形成,使中国电影的现实主义观念受到了来自西方的电影观念的冲击;电影体制的转型使电影现实主义的市场价值受到了质疑。正是这多重的挑战和冲击使中国电影现实主义陷入了发展困境。

Film realism has been in a new survival context since the new century. It mvowes mree aspects as follows, the cultural context, globalization structure of the film as well as industry environment of the film. Since we entered the new century, mass culture has gradually achieved a dominant position. The social aesthetic needs have turned away from the rational cognition to the perceptual entertainment, and the official and elite viewpoints have given way to the mass perspective, which challenges the aesthetic orientation of Chi- nese films. The western concepts of films have an impact on the ideas of Chinese film realism in the process of formatting film pattern of globalization, and market value of the film realism is being questioned because of the transformation of film system. The Chinese film realism has been in the dilemma of development.