摘要
素有日本"社会派推理小说之父"之称的松本清张,1960年推出的长篇小说《砂器》以激情澎湃的情节设置、严谨细密的解谜手法以及深沉忧患的作家良知和深刻厚重的社会反思,成为开创先河的杰作。从"阴暗"与"光明"的对照铺陈、重视对犯罪动机的剖析、独特的艺术构思这3个角度,探讨作为社会派推理小说代表作的《砂器》的独特艺术风格。
Matsumoto Seicho, the originator of Japanese social detective stories, whose works cover a wide range of subject matter, is most notable for his detective stories sought from the actual social life. His Suna no Utsuwa in 1960, which is with passionate plots, rigorous puzzle solving techniques as well as the deep hardship writer's conscience and social reflection, becomes a pioneering masterpiece. Thus, the author attempts to discuss the unique artistic style of Suna no Utsuwa from the following three aspects: comparative layout of "dark" and "light", attaching great importance to the crime motive and the unique artistic conception.
出处
《皖西学院学报》
2013年第4期77-79,共3页
Journal of West Anhui University
关键词
松本清张
《砂器》
明暗对照
犯罪动机
Matsumoto Seicho
Suna no Utsuwa
Chiaroscuro
crime motive