摘要
《西厢记》故事,最早起源于唐代元稹的传奇小说《莺莺传》,叙述书生张生与相国之女崔莺莺相爱,在婢女红娘的帮助下,两人在西厢约会,莺莺终于以身相许。剧中张生的形象在动态的发展中变成了作者和其所处时代的代言人。本文试从《莺莺传》、《董西厢》、《王西厢》三部作品中分析张生形象的演变和转型,进行逐层分析,以期把握形象实质,挖掘作品精髓。
The story of the West Chamber originated from the romantic novel named Yingying in yuan dynasty. The love story of Zhangsheng and Yingying is narrated in the book. They rendezvous in the West Chamber with the maid's help, and Yingying ultimately promises to marry with Zhangsheng. The image of Zhang sheng becomes the spokes- man of the author and the author's time. This paper tries to analyse zhang's image in layers from the novel named Yingying, the West Chamber written by Dong and the West Chamber written by Wang, then drill down to grasp the re- al image.
出处
《长春工程学院学报(社会科学版)》
2013年第3期85-87,共3页
Journal of Changchun Institute of Technology(Social Sciences Edition)
关键词
《西厢记》
张生
形象
演变
West Chamber
ZhangSheng
image
evolution