异国形象与他者——从比较文学形象学和后殖民主义角度解析《情人》

Foreign image and otherness——A tentative study of “The Lover” from imagology of comparative literature and postcolonial approach

结合比较文学形象学和后殖民主义理论,以两者交叉重合的视角分析《情人》中的异国形象。文中详细列举了小说中对于中国情人、殖民地和被殖民者等异国形象的描写,将异国形象与"他者"架构起来,通过结合上述理论分析"我"——文中的唯一叙述者是如何被解构为殖民者形象的以及在比较文学形象学的视野下这部作品中的异国形象,关注这种形象被塑造的方式,透过这些表面的形象和创作方式,挖掘和探寻更深层次的文化内涵和社会背景,以及"他者"被排斥、被扭曲和被憎恶的缘由。

This thesis combines imagology of comparative l^terature and postcolonial approach to analyze ＂The Lov- er＂. It enumerates the description of the Chinese lover, the colony and the colonized of the book in detail and bridg- es foreign image and othemess with the analysis of the deconstruction of ＂I＂- the only narrator in the book as the colonized and the foreign images in the book from the imagology of comparative literature. This thesis attempts to dig and seek the deep cultural connotation and social background and the reason of the exclusion, the distortion and the hatred of the otherness through those apparent images and the writing modes in the book.