摘要
广灵秧歌在其演出过程中存在很多习俗,主要有供奉三官神、庙会演出时的祭祀仪式和"打台"仪式等。这些习俗实际上反映着秧歌艺人固有的俗信心理,并通过外在的事象得以体现。事象使俗信以仪式的形式在演出过程中得以展示,表达了秧歌艺人共同遵守的俗信禁忌及宗教崇拜心理。
There exist a lot of conventions in the performance of Guangling Yangko,mainly including sacrifice to"SanGuan" Gods,sacrificial ceremony in temple fair show,ceremony of "DaTai"and so on.These conventions lead to the study of folk faith.They actually reflect the folk faith and are embodied in the folk custom.Custom enables folk faith to demonstrate in the shape of ceremony in performing process.It also expresses taboos and religious worship of Yangko actor.
出处
《山西大同大学学报(社会科学版)》
2013年第4期33-36,共4页
Journal of Shanxi Datong University(Social Science Edition)
关键词
广灵秧歌
行业神崇拜
泛神崇拜
仪式禁忌
Guangling Yangko
worship for Gods of trades
pantheism
taboos in ceremony