有机肢体的无机延长——论书法艺术的触觉美感其四

Brush as the Inorganic Extension of the Organic Touch Sense

工具(毛笔)的"主体化",是提出"书法艺术的触觉美感"的一个重要的理论起点。毛笔既然经由书法艺术家的锤炼而演变为人的"肢体"和"器官",自然就可以考虑对书家们来说深有感触而又不曾被归纳、被理论提升的"触觉美"的问题。"人器合一"使人性通于笔性,笔性表现人性。执笔在手,仿佛就如同接通了勾通内外宇宙的天线。

The ＂subjectivity＂ of brush as the tool of calligraphic practice is an important starting point of our theoretical discus-sion of the ＂aesthetic feeling of touch sense in calligraphy.＂ Brush is transformed into an organic body parts through the practice of the calligrapher, therefore it could be considered as capable of having touch sense in a theoretical level. The ＂integration of humans and tools＂ enables the brush and the calligrapher share a single subjectivity, each expresses itself through the other. Furthermore, the brush connects the calligrapher to his or her work and bridges the inner and outer experiential world for the artist.