摘要
罗兰·巴尔特的《作者之死》从文本的特性、"作者"建构、作者诗学的现实悖谬、象征主义以来的诗人小说家对作者诗学的质疑、作者的文学地位等方面对主体性诗学进行了全方位的清算。该文提出的"文本的非作者性"的观点在诗学史上无疑有着重要的意义,但也存在着不合理性。
Roland Barthes's The Death of Author has fully analyzed the dominant poetics from the perspective of features of the text, construction of "the author", absurdness of author-oriented poetics, poets and novelists' doubts about the study on the author since the birth of symbolism; authors' literary status,etc. "Non-anthor orientation of text" in this paper has great significance in the history of poetics undoubtedly. But it also has unreasonable aspects.
出处
《中国文学研究》
CSSCI
北大核心
2013年第3期15-18,共4页
Research of Chinese Literature
关键词
文本
非作者性
作者之死
Text
Non-author Orientation
the Death of the Author