殷璠诗学与盛唐诗风

Yin Fan’s Poetics and Poetry Style of the Tang Dynasty

殷璠《河岳英灵集》一书以盛唐人的手眼选评盛唐诗歌,在反映时代风貌上实具有特殊鲜活的性能。其以"三来"、"四体"为诗论总纲,将"风骨"、"兴象"、"声律"以及"词秀调雅"、"思苦语奇"诸要素相贯串,构建起以生命本真之"神"为统摄的"风骨"与"声律"兼备、"既多兴象,复备风骨"的诗歌理念和"既闲新声,复晓古调,文质半取,风骚两挟"的诗学目标,不仅较完整地把握住盛唐时代的美学好尚和盛唐诗歌的气象风貌,亦初步揭示出唐人"以复古为通变"的创作路径,为唐诗的盛兴找到了其文学承传上的重要根据。

Yin Fan＇s Heyue Yingling Poetry Anthology selected and commented on the poems of the Tang Dynasty, reflecting the outlook of the dynasty vividly from the perspective of the Tang People. It took ＂San Lai Si Ti＂ as the guideline and combined fac- tors, such as ＂strength of character moral of images sound law elegant wording＂ and ＂thinking hard＂ to establish poetry theory with ＂God＂ of nature of life as the dominator and poetic goals which emphasized innovation, quality and style. It not only portrayed the aesthetic fashion and features of the poems, but also fully revealed that poets pursued changes through restoring ancient creation methods. The anthology also provided evidence to the prosperity of poems in the Tang Dynasty.