《切韵》系韵书韵目流变研究

Evolvement of Rhyme Catalog in the Series of Qieyun(切韵) from Tang(唐) to Five Dynasties

唐五代《切韵》系韵书现存韵目有三种格式,《切韵》的韵目格式应为:韵序——反切(无"反"字)——大韵——小注。《切韵》中绝大多数韵书依照陆书的韵序,《王一》、《王三》、蒋斧《唐韵》、P2014(3)、P2016等韵目韵序的改变是因为加韵。《王二》大量改动韵目,既有大韵代表字的改变,亦有韵序的大调整。这可能是因为《王二》非常注意韵序的排列,注意反映时音;另外《王二》编者口音也有些不同于《切韵》的地方。《王二》韵序对后世李舟《切韵》有重要影响,进而影响到《广韵》韵序。

There are 3 kinds of forms in rhyme catalog in the series rhythmic dictionaries of Qieyun（切韵） from Tang（唐） to Five Dynasties. The format of rhyme catalog in Qieyun（切韵） should be： Sequence-Fanqie（反切）-Dayun（大韵）-Xiaozhu（小注）. Many rhythmic dictionaries according to the sequence of rhyme catalog in Qieyun（切韵）. Wang Yi（王一）, Wang San（王三）, Jiang fu＇s Tangyun（唐韵）, P2014（3）, P2016 change the sequence of rhyme catalog in Qieyun（切韵） because of adding rhyme. Wang Er（王二） change the rhyme catalog in Qieyun（切韵） largely, they are not only showed by changing name of rhyme, but also showed by adjusting the sequence of rhyme catalog in Qieyun（切韵）. These are perhaps related to that actual pronounciation which was valued in Wang Er（王二）, and the editor＇s accent of Wang Er（王二） was different to Qieyun（切韵）. The sequence of rhyme catalog in Wang Er（王二） influenced deeply on Li zhou（李舟）＇s Qieyun（切韵） which was made thereafter, and influenced the sequence of rhyme catalog in Guangyun（广韵） indirectly.