摘要
从舞台美术样式的确立、场景假定性原则、灯光变化的处理以及二道幕创新应用等层面,分析京剧《韩玉娘》的舞台美术创作特点。
Beijing opera ＂Han Yuniang＂ were exemplified to analyze, the characteristics of the stage art creation from the establishment of stage art style, assumed principle of the scene, lighting change, innovative application of the second curtain.
出处
《演艺科技》
2013年第9期57-59,共3页
Entertainment Technology
关键词
戏曲舞台美术
舞美样式
舞台灯光
假定性原则
二道幕
京剧
opera stage art： styles of the stage art, stage lighting： putative principle
the second curtain
Beijing Opera
