抗战时期徐悲鸿艺术创作题材的转变

Transition of the Theme of Xu Beihong Art Creation during the Period of Anti-Japanese War

抗战全面爆发后,徐悲鸿随中央大学西迁重庆,足迹踏遍整个西南地区乃至东南亚诸国。经过八年抗战血与火的历练,他完成了他艺术思想的历史性嬗变从着眼历史到立足现实的创作实践,从而赋予他艺术具有革命时代意义的活力,以及给中国美术界人物画带来本质的变化。在抗日救亡的大时代和社会大动荡中,徐悲鸿通过艺术活动及艺术创作来完成救亡图存的历史使命,支持大后方如火如荼的抗战美术活动。

After the outbreak of Anti-Japanese War, Xu Beihong moved to Chongqing with the Centre College. He traveled throughout the southwest of China and even Southeast Asia. After eight years of test with blood and fire, he completed the historical transition of his artistic thought from focusing on the history to basing on the practice of creation, which gives his art energy of significance of revolutionary era, and provided essential changes for the figure painting of Chinese art world. In the great era and social upheaval of the Anti-Japanese national salvation, Xu Beihong completed the historical mission of national salvation through art activities and art creation, and supported the Anti-Japanesed arts activities that were like a raging fire.