摘要
本文运用符号学、认知语言学及语言哲学的方法,细读晚清作家苏曼殊的诗作,管窥古汉语语词如何作用于旧体诗的语法与修辞机制,进而参与作者与读者的认知体验中多元概念空间的映射与整合,从而考察作家以语言为中介、建构文本内外的话语主体的方式;笔者把苏曼殊诗歌的文类符码特征作为洛特曼符号学意义上的二度模式系统的重要规约进行探讨,从语言学汇通诗学的视角为比较文学研究做一种新的尝试。
This essay attempts to read closely the poems of Su Manshu, an extraordinary Chinese writer who lived in the period of the late 19th and early 20th centuries, and to in- vestigate how ancient Chinese words participate in the grammar and rhetoric mechanisms of classical poetry via the approaches of semiotics, cognitive linguistics and language philoso- phy. The author also analyzes how these words contribute to the processes of mapping and blending of conceptual spaces, and thus examines how the poet construcs and contextuali- zes the subject(s) by language. The author treats the genre codes of Su Manshu's poetry as an important part of the second modeling system, and attempts to explore the connection between poetics and linguistics for the study of comparative literature.
出处
《中国比较文学》
CSSCI
北大核心
2013年第4期114-122,共9页
Comparative Literature in China
关键词
二度模式系统
苏曼殊
概念空间
话语主体
second modeling system
Su Manshu
conceptual space
subject in the dis-course