摘要
庞德《比萨诗章》包含丰富的儒家思想元素,但其中的儒家思想都是变形的、诗化的儒家思想。庞德不是机械地把孔子、孟子的经典语录、语段移植到《比萨诗章》的字里行间,而是根据情感变化和审美需要,把精心挑选的儒家思想片断进行艺术加工、变形,有机地糅合在自己的构思、创作之中,成为自己的思想和意识的一个部分。
The Pisan Cantos contains rich elements of Confucianism, but almost all of them get deformed poetically in Pound＇s creation. He does not mechanically transplant Confucius and Mencius discourses into his creation. Instead, he carefully selects some fragments of Confucianism, makes necessary changes to meet different emotional and aes- thetic needs, and integrate them into his thinking, consciousness and creation.
出处
《中国比较文学》
CSSCI
北大核心
2013年第4期123-132,共10页
Comparative Literature in China
