摘要
张颂对播音发声十分重视。他不仅准确界定了播音发声在中国播音学中的地位,确立了"字正腔圆"、"不浓不淡"的播音声音规格,而且还对呼吸、吐字、共鸣等播音发声关键、难点技法进行了准确、简明的诠释,对播音中情、声、气的关系也作了深入探究。张颂的播音发声思想丰富并深化了播音发声理论,对我国的播音理论建设、播音实践及教育具有重要的指导意义。
ZHANG Song attaches great importance to broadcasting vocalization.He accurately defines the position of broadcasting vocalization in Chinese broadcasting.He establishes the specifications of broadcasting voice of clear articulation and a mellow and full tune and not strong and not weak in passion.He also interprets accurately and concisely the important but difficult skills like breath,pronunciation,resonance in broadcasting vocalization.In addition,he makes in-depth study on the relationship of emotions,sounds and breath in broadcasting.ZHANG Song's thought enriches and deepens the broadcasting vocalization theory.It has guiding significance for the theory construction,practice and education of Chinese broadcasting.
出处
《四川师范大学学报(社会科学版)》
CSSCI
北大核心
2013年第5期102-106,共5页
Journal of Sichuan Normal University(Social Sciences Edition)
基金
四川省科技厅科技支撑项目"嗓音职业病防治研究"(编号:2012SZ0174)阶段性成果
关键词
张颂
播音发声
理论
贡献
ZHANG Song
broadcasting vocalization
theory
contribution