摘要
著名的"形式主义"音乐美学家爱德华·汉斯利克,其音乐美学思想可总结为"否定的命题"和"肯定的命题"。这些命题对世人关于如何谓音乐之美的认识和理解有着非常重要的启示,然而此二命题也存在一些令人发疑的地方。对它们进行梳理和分析势必增益相关研究的完善与深化。
Hanslick's music aesthetics,which is of great formalism,can be summarized as " negative proposition" and " positive proposition".They are greatly significant for people's understanding of what the beauty of music is.However,there are some issues needing to be addressed.Combining and analyzing them will undoubtedly benefit the study of Hanslick's music aesthetics and deepen it as well.
出处
《贵阳学院学报(社会科学版)》
2013年第4期112-115,共4页
Journal of Guiyang University:Social Sciences
关键词
汉斯利克
音乐美学思想
否定的命题
肯定的命题
反思
Hanslick
music aesthetics
negative proposition
positive proposition
reflections