摘要
文章通过对《倾城之恋》里的范柳原以及《红玫瑰与白玫瑰》中振保两个男性形象的分析,探讨张爱玲个人对当时社会中男性的懦弱自私、卑琐、冷漠、虚伪、扭曲与变态心理的认识和谴责。这些人物的素材与张爱玲的人生经历有一定的关联,虽然为数不多,但是形象丰满且更具血肉,具有一定的社会隐射性和代表性,也代表了一个时代觉醒的女性对性别的重新认知。
This article discusses cowardly selfish individual in the society at that time,humiliated,indifference,hypocrisy,twisted,and abnormal psychological understanding and condemnation.Eileen Chang confirmed two male images,Fan Liu-yuan original in the Love of City as well as Zhongzhen in the Red rose and White Rose.Innovation point is to illustrate the characters of material and Chang’s life experience of a certain correlation.Are few but gave very good material,Chang image more flesh plump,with reference to sex and representative of a particular society,also represents an era of awakening of women for gender cognition again.
出处
《忻州师范学院学报》
2013年第3期30-32,共3页
Journal of Xinzhou Teachers University
关键词
张爱玲
范柳原
振保
人性
男权
Eileen chang
Fan Liu-yuan
Zhenbao
human nature
male