摘要
作为世界性母题的乡土小说,在中国历经近一个世纪的发展变化,在这一个世纪的历程中乡土小说演化出了不同的形态和主题,为文学史增添了绚丽的一笔。作为乡土小说美学特征的"三画、""四彩",在乡土小说的创作中无疑是展现乡土小说审美形态的重要手段。丁帆凭借自身敏锐的审美能力,抓住这一重要元素来评价乡土小说的发展历程和反思中国乡土小说的创作过程,为过去、现在及将来的乡土小说创作和评判提供了一条参考价值标准。
Local novels,as the worldwide motif in China after nearly a century of development and changes has been evolved various patterns and themes,added the colorful for literature.The Three Paintings and Color,as the aesthetic qualities of the local novels,is no undoubtedly an important means to present its aesthetic form in the local novels,Ding fan with a keen aesthetic ability to grasp this important element,in order to evaluate and reflect on the creation of the Chinese local novels,and provide a standard for the last,modern and future local novels creation and evaluation.
出处
《忻州师范学院学报》
2013年第3期39-41,共3页
Journal of Xinzhou Teachers University