摘要
"女子科班",是女子越剧的摇篮。它既是社会物质关系的反映,也是现实社会生活的精神折射。对于越剧来说,其价值取向既反映了当时嵊县的社会物质关系,也映射了当时大上海的精神生活。在20世纪20年代,越剧吸收女子参加演出,并从清一色男演员演变成清一色女演员的剧种,这一重大变革,使男子小歌班发展成为女子越剧,它是进化主义式的,是崭新有序、优美完整、传统和经典相结合的一种戏剧形态。
"Woman opera school" is the cradle of woman Shaoxing opera. It is the reflection of both social material relationship and spirit of real social life. The cultural value of Shaoxing opera reflects social material relationship of Shengxian and spiritual life of Shanghai then. In1920s, there are women performed in Shaoxing opera, which gradu- ally evolves from a genre with all-male performers into all-female ones. The woman Shaoxing opera is a drama form combining the tradition with the classic
出处
《浙江艺术职业学院学报》
CSSCI
2013年第3期68-72,共5页
Journal of Zhejiang Vocational Academy of Art
关键词
文化价值取向
女子科班
王金水
金荣水
四工调
cuhural value orientation
women opera school
Wang Jinshui
Jin Rongshui
sigongdiao tune