形格势制下的影像构建与内核消解——谈影片《暖》对莫言小说《白狗秋千架》的改编

Image Construction and Kernel Digestion under Various Restrictions——Talk About the Adaptation From MoYan's Novel White Dog Swing to FilmWarm

莫言的《白狗秋千架》因其为老百姓的写作立场、富有寓意的背景设置、深刻的主题揭示、精湛的叙事才华而成为其写作历程中很重要的一篇优秀作品。据《白狗秋千架》改编的影片《暖》则在投资方、中国官方以及编剧、导演、演员等综合因素的制约下进行影像构建,结果却因扬弃了小说的背景设置、人物塑造、主题揭示、意境氛围等基本思想内核力,而使影片流于介于商业片和艺术片之间的通俗爱情故事片,其生命力与影响力自然也是有限的。

Because of the writing position for the people ,MoYan＇s novel White Dog Swing has the full meaning of background, the profound theme and the superb narrative talent, which make the no- vel became a rare good works in the MoYan＇s writing process. The film Warm adapted from the novel constructs image under the restrictive factors such as investor, Chinese official and screenwriter, di- rector, actor and others , so the result is that the film discards the novel background settings, charac- terization, theme revealed, the artistic atmosphere and the basic idea of kernel force largely, and makes the film become a popular love story between commercial and artistic films so that the vitality and influence of the film are also limited.