摘要
纪实摄影作为一种现实主义视觉样式,在其"写实"技术的帮助下坚持来自现实、贴近真实、反映现实的发展方向,它与现实主义绘画有着天然的联系,都源于实证主义的认识论基础和现实主义精神的感召。同时,纪实摄影的工作方式———客观记录加主观选择,以及现实主义的批判性都要求其在一系列选择和表现中体现自己的立场和情感。本文试图从纪实摄影对现实主义超越的角度出发,运用作品分析和理论探讨的方法,阐述纪实摄影的表现主义特质。
As a realistic visual style,documentary photography adheres to the orientation based on reality,closeness to truth and reflection of reality with the help of its characteristics of realism,and has a natural connection with realistic paintings,both having the epistemological foundation of positivism and the influence of realistic spirit. Moreover,the work-style of documentary photography,that is, the objective record with some subjective selection and realistic critique,demands the expression of its own position and emotions in a series of choices and performances. This paper expounds the expressionistic features of documentary photography from the perspective of its transcendence of realism with the methods of textual analysis and theoretical research.
出处
《云南大学学报(社会科学版)》
CSSCI
北大核心
2013年第5期92-95,112,共4页
The Journal of Yunnan University:Social Sciences Edition