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唐代闺怨诗之“代言”的丰富开放性空间 被引量:2

Richly Open Development Space of Tang Dynasty's Feminine Querimony Poetry
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摘要 唐代的"闺怨诗"以"男子作闺音"的代言体与"以悲为美"的感情基调而闻名。男子借诗言志,"代言"就是言志的一种表现方式。"代言"以闺妇的情感遭遇隐寓自己的政治遭遇,带有委婉的功利性目的,但闺怨诗本身也直接带给我们精神的愉悦。男子"代言"的"双性人格"所形成的一种特质成就了闺怨诗其幽微要眇的丰富之潜能。闺怨诗"代言体"的传播、发展与探究,为我们古代文学的学习提供了丰富的开放性的发展空间。 In Tang Dynasty, feminine querimony poetry is famous for first -person narrator which depicts "women' s words written by men" and the emotional tone of "taking sadness as beauty". Men make use of poetry to express their will. The first - person narration for women is one method of expressing people' s will. Such a pattern implies men' s political experi- ence in the process of describing women' s emotional experience,which both follows the euphemistically utilitarian purpose and bring about readers' spiritual delight. The special feature shaped by men' s double - sexual personality contributes to the potential delicacy and richness of feminine querimony poetry. The transmission, development and exploration of feminine querimony poetry written by men provide us a richly open development space in the duration of studying Chinese ancient literature.
作者 陈叶
出处 《包头职业技术学院学报》 2013年第3期28-30,共3页 Journal of Baotou Vocational & Technical College
关键词 闺怨诗 代言 诗言志 审美 蕴藉 feminine querimony poetry representation making use of poetry to express one' s will aesthetic appreciation being temperate and refined
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  • 1朱自清.诗言志辨·序[M].上海:上海古籍出版社,1998.
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  • 4梅祖麟,高友工.唐诗的魅力[M].上海:上海古籍出版社1990:106.

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