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电影《蒙娜丽莎的微笑》的女性意识研究 被引量:2

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摘要 本文以女性运动为背景,分析了美国电影《蒙娜丽莎的微笑》中的女性意识,通过分析影片中凯瑟琳、贝蒂和琼三位女性的经历来多角度阐释波伏瓦"成就为女人"的观点,她们代表了有不同性格和追求的、有前卫女性意识的女性形象,突破"成就"而成的并不只是传统的女人这一论点,展现了特定的社会环境、个人经历及意识潮流将"成就"更加坚毅、独立和有主见的女性,体现了女性意识的发展在曲折中的进步。
作者 崔娟娟
出处 《电影文学》 北大核心 2013年第20期116-117,共2页 Movie Literature
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  • 2Margaret Fuller, Woman in the Nineteenth Century (1845) (New York: Norton, 1971), p. 37.
  • 3Deborah L. Madsen, Feminist Theory and Literary Practice (London: Pluto Press, 2000), p. 6.
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  • 5Deborah L. Madsen, Feminist Theory,and Literary Practice (London: Pluto Press, 2000), p. 9.
  • 6Susan Archer Mann and Douglas J. Huffman, "The Decentering of Second Wave Feminism and the Rise of the Third Wave," Science & Society, Vol. 69, No. 1, Jan. 2005, pp. 56-91.
  • 7Susan Archer Mann and Douglas J. Huffman, "The Decentering of Second Wave Feminism and the Rise of the Third Wave," Science & Society, Vol. 69, No. 1, Jan. 2005, p. 58.
  • 8Bell Hooks, Feminist Theory, fromMargin to Center ( Boston: South End Press, 1984).
  • 9Susan Archer Mann and Douglas J. Huffman, "The Decentering of Second Wave Feminism and the Rise Of the Third Wave," Science & Society, Vol. 69, No. 1, Jan. 2005, p. 86.
  • 10Elaine Showalter, Sister's Choice: Tradition and Change in American Women's Writing (Oxford: Oxford University Press, 1994).

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