现代抽象图形在传统青花瓷器中的体现

The Reflection of Modern Abstract Graph in Blue and White Porcelain

青花是我国历史最悠久的瓷器装饰艺术品,是具有独特民族韵味一种艺术载体。现代青花图形艺术应该是对传统青花艺术的延续、发展和升华,现代青花瓷器无论是在装饰手法以及其图形形式都倾向于当代审美、欣赏以及应用的多元化的需求方向进行创新,创作意识和审美观念都充分体现了现代人的观念特征。传统青花器形与现代抽象图形的融合使得青花瓷器在应用、欣赏等领域得以拓展,当代的艺术形式、艺术语言在继承传统的基础上得以充分展现。传统装饰艺术文化与当代艺术图形文化进行继承性的发掘,创造一种既符合现代设计审美意识又具有独特民族韵味的现代青花装饰艺术语言。

The blue-and-white is the oldest porcelain decoration in China, and it display a kind of unique and native lingering charm of Chinese art. The modem blud-and-white graph art is the extention and development of the tradition decorative technique. Decoration techniques and graph pattens of morden blue and white porcelain tend to contemporary aesthetic as well as innovation of application diversity. The creative consciousness and the aesthetic concept inside the works are fully display the concept and idea of modem people.The fusion of traditional blue-and- white vessel shape and the modem abstract graph enhances the value of the blue-and-white porcelain in the field of utilization and appreciation. Also, it can fully show the modem art forms and artistic language on the basis of inheriting tradition. To adopt the traditional decoration art and the modem graph art can help to creat the unnique art of modem blue-and-white omamentation with naitive charm and in accordence of the modem design aesthetic consciousness.