论《尘埃落定》的叙事艺术

Studies on Narrative Arts in Dust Settled Down

《尘埃落定》是以"傻子"为叙述者的第一人称叙事,但它同时又超越第一人称叙事视角,形成了一个作为叙事主角的"傻子"及其叙事补充"翁波意西"这一显一隐的叙事窗口。傻子以表面上的失聪状态和翁波意西在主体意识中话语权力被剥夺的情况,二者潜移默化,相互影响共同构成的一显一隐叙事主体串联于作品的叙事情节之中,形成了一种串联式叙事,从而使《尘埃落定》的叙事结构错落有致,有条不紊。递归式隐喻的运用,更使作品语言极富张力。

A lunatic figure, serves as the first first-person narrative perspective by introducing person narrator in Dust Settled Down transcends the the lunatic hero as well as the narrative supplement Wenboyixi which compose the tangible and intangible narrator. The deaf lunatic hero together with the dumb Wenboyixi functioned as the visible and invisible narrative subject correspondingly, threading their way in the whole narration of the story, which constitute the consecutive narration and render well-arranged narrative structure. What is more, the adoption of recursion metaphor endows the literature work with immense linguistic tensions.