摘要
民国时期曾先后创办有四种同名《音乐杂志》,它们分别是由北京大学音乐研究会、国乐改进社、上海音乐艺文社以及丁善德、陈洪于不同时期创办的。这些杂志虽有着不同的创刊背景,但却冠以相同的期刊名号,并以其历时性的时隐时现,一方面反映了20世纪上半叶20~40年代中国音乐期刊的发展情况;另一方面彰显了这一时期音乐工作者对主流音乐文化的思想认识以及艺术实践追求。
During the Republican Period, there are successively four homonymous periodicals named as Music Magazine, which are respectively founded by "Music Research Society of Beijing University", "Society of National Music Improve- ment", "Art and Literature Society of Music in Shanghai", and, personally, by DING Shande and CHEN Hongyu. With different background of establishment although, these periodicals were all titled the same. Their diachronism, now appea- ring, now disappearing, reflects on one hand the development of Chinese music periodical during 1920s - 1940s, on the other the understanding and practice in mainstream musie culture.
出处
《音乐探索》
CSSCI
2013年第4期16-26,共11页
Explorations in Music
关键词
民国时期
四种同名《音乐杂志》
办刊背景
编辑印刷工艺
栏目设计
刊登内容
社会影响
the Republican Period
four homonymous Music Magazine
establish background
editing and printing tech-nique
column design
published topics
social influence