1990年代以来港台电影中的国族想象

National Imagination of 90's Hong Kong & Taiwan Films

对于电影而言,国族想象是一个既抽象又具体的概念,是电影创作者对自身的民族传统、国族观念的综合体现。1990年代以来港台电影的国族想象表现得既突出又复杂,具体体现为对历史环境的情感审视、对家国之梦的复杂心态、对民族性格的影像书写与对人伦关系的重新界定,以及在文化互融的视觉消费时代对民族传统的现代表达的探索;既体现出明显的地域文化特征,又与大中华的国族想象紧密相连。

For the film, national imagination is an abstract and concrete concept and is a comprehensive reflection of film artists with national traditions and national idea. Since the 90＇s Hong Kong Movie national imagination appears both prominent and com- plex, embodies a redefinition of historical environment, mentality, emotion to examine complex national dream image writing, re-lations of national character, and the exploration of modern expression of traditional culture in the era of visual consumption inter-action. They not only reflect the regional culture characteristics, and are connected with the national imagination.