内蒙古西部蒙古族民俗文化视觉审美形态探微

Exploration on the visual aesthetic form of the Mongolian folk culture in the western Inner Mongolian

蒙古族文化是构成中华民族文化圈的重要组成部分。内蒙古西部地区的蒙古族人民在历史的变迁、征战、碰撞与融合的过程中,创造了灿烂的、具有地域特点的、富有民族特色的、展现民族精神与民族智慧的丰富多彩的民族文化。蒙古族特有的民俗文化及民俗文化中的视觉审美形式,是蒙古族文化体系中不可分割的重要组成部分。蒙古族民俗文化可谓是哺育滋养蒙古族文化艺术的母体艺术,是构建蒙古族审美模式的重要基础。蒙古族民俗文化中的视觉审美形态是勤劳的游牧人民为满足其自身社会生活需要而创造的具有实用与审美价值双重性统一的民族艺术。服务自身、美化自身、美化物品和美化生活环境是其主要的作用。在实用与审美的创造中,逐步形成了蒙古族特有的审美趣味、审美理想、审美观念、审美形式,从而在无形中造就了蒙古民族独特的审美模式。

The Mongolian culture is an important part of the Chinese nation~ culture circle. In the histori- cal transition, war, collision and merging process, the Mongolian people in the west Inner Mongolia had crea- ted particular, brilliant national culture with national spirit and national wisdom. The particular folk culture of Mongolia nationality and the visual aesthetic form of Mongolian folk culture are an important part indispensible in the Mongolian culture system. The folk culture of Mongolian nationality is the maternal art nourishing Mon- golian art and culture, as well as an important basis constituting aesthetic mode of Mongolian nationality. The visual aesthetic form is a national art with dual unification of both utility and aesthetic values created for satis- fying its own social living need by the diligent nomad people. The main functions are to serve themselves, beautify themselves, beautify articles, and beautify their living environment. The Mongolian people formed their own particular aesthetic taste, aesthetic ideality, aesthetic ideas, aesthetic form gradually in the creation of utility and aesthetics, thereby built particular aesthetic mode of Mongolian nationality imperceptibly.