摘要
20世纪30年代朱光潜与鲁迅的分歧,是京派与左翼审美趣味的分歧,也是"看戏"与"演戏"人生理想的分歧。朱光潜以中国传统文人士大夫的审美情趣青睐于西方古典主义的"静穆说",把"静穆"视为艺术的极境,貌似很西方,实则很古典。
The differences between Zhu Guangqian and Lu Xun in the 1930s are the differences in worldly ideal of ＂ play going and playacting＂. Zhu Guangqianp＇s aesthetic taste is the taste of Chinese Scholar Official＇s, thefore he viewed serenity as the artistic ideal, his point looked like the western, in fact , it was very traditional.
出处
《曲靖师范学院学报》
2013年第5期34-37,共4页
Journal of Qujing Normal University
基金
云南省教育厅科学研究基金社科类重点项目"京派文学的本土化特质研究"(2012Z073)研究成果
关键词
朱光潜
京派情趣
静穆
审美距离
Zhu Guangqian
taste of the Beijing school
serenity
aesthetic distance
