意象审美在古典文论与书论边缘中的契合

Fit of Imagery Aesthetic in Traditional Literary Theory and Calligraphy's Edge

意象是中国古典诗词的重要美学命题,同样也是以汉字为载体的书法艺术审美标准之一。古典文论及书论中涉及大量意象、意境的论述,使之形成了文论与书论在意象审美观中的契合,这在中国传统文化艺术中是极为特殊的现象。将意象置于传统文论与书论的边缘语境中,融汇文论与书论的共通之处,能够理清意象审美在传统文论与书论中的契合点及其之间的内在联系。

Imagery is an important aesthetic proposition of classical Chinese poetry, and it is also one of the art of calligraphy aesthetic standards, which use Chinese characters as the carrier. There were many imagery and artistic conceptions in classical literary theory and the calligraphy paper, so that the correspondence of the literary theory and the theory of calligraphy is formed in imagery aesthetics, which is a special phenomenon in Chinese traditional culture and art. By blending the context of imagery in the edge of traditional literary theory and theory of calligraphy, blending the literary theory and the theory of calligraphy, we can clarify the internal logic and corresponding point between the traditional literary theory and the theory of calligra- phy.