摘要
"孤儿作品"是指难以确定权利人或者权利人确定却难以取得联系的作品。网络技术、数字化技术的发展使"孤儿作品"的利用问题越加凸显。我国借第三次修改著作权法之机引入"孤儿作品"制度,原则性规定了利用"孤儿作品"的条件与方式。根据《著作权法》修改草案送审稿的规定,我国采取了类法定许可的利用模式,并将适用范围限定在已发表的作品上。在利用模式上的选择,加拿大的强制许可模式在经过改造后比较适合我国国情,并且应在立法中细化"尽力查找"的标准。
" Orphan works" refers such special works, whose users find it impossible to identify, locate and contact the legitimate holder of the relevant rights when the intended use of the work requires permission. The dig- ital and Internet technology make the problem of using" orphan works" urgent. China introduced the" orphan works" system in the third revision of Copyright Law. China stipulated the statutory license mode and limited the use of it to published" orphan works". As to the mode of" orphan works", Canadian's compulsory license is availa- ble for China after some transformation. It is necessary to detail the" diligent search" standards.
出处
《邵阳学院学报(社会科学版)》
2013年第5期44-50,共7页
Journal of Shaoyang University:Social Science Edition
基金
国家社会科学基金重点项目"中国特色知识产权理论体系研究"(11AZD047)
关键词
孤儿作品
著作权
著作权法修改
权利限制
强制许可
orphan works
copyrights
revision of copyright law
limitation of rights
compulsory license