摘要
在2013年的个展中,陈晓云沿用了自己最熟悉的创作手段,摄影与录像,向观众呈现了十一件照片和六件影像作品,一并延续的还有其作品中一直存在的诗性以及对现实的荒诞化呈现,引发了清晰的观看和复杂的观感两种混合体验.
In this solo exhibition, Chen Xiaoyun presents his audience with eleven photographs and six videos, using the creative media with which he is most familiar in a continuation of the poetry and absurdist reality inherent in his body of work. The result triggers a mixture of clear observational and complex phenomenological experience.
出处
《艺术界》
2013年第5期208-209,共2页