试分析影片《可可西里》中的空间叙事

Space Narration in the Movie of Kekexili

《可可西里》作为一部优秀的藏族题材影片,制作者对于对电影镜头空间及镜头间空间的细腻处理,构建了复杂的空间关系。这些关系转化为影片中人与人、人与物的关系后发挥了重要的叙事功能,且很大程度上丰富和深化了影片主题:当人类自身的生存空间都面临威胁时,自然生态空间的平衡如何得到维护?暴力侵犯式的介入或是以暴制暴式的保护是否合适?"万物平等"还是"适者生存"?人类在强大的自然空间威胁时又当如何作为?

Kekexili, an excellent Tibetan theme movie, has established complicated spatial relationships by delicately managing film lens space and the space between the lenses. These relationships, which have changed into the relationships between men and men, men and things in the film, play important narrative function and deepen the film themes to a large degree. These themes include： how to maintain a natural ecology balance while our living space is being threatened; whether it is ProPer to in- tervene by violent invasion or to protect by answering violence with violence; ＂All things equal＂ or ＂the survival of the fittest＂; What we human beings can do when facing the powerful natural space threat？