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浅析具象油画语言中“光”的抽象性运用 被引量:1

Abstract Use of Figurative Oil Painting Language of “Light”
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摘要 作为具象油画语言重要语汇要素的"光",在西方油画艺术中占有特殊的地位,在油画发展的不同阶段传达出不同的"语义",从崇尚科学真实的"再现之光"到标榜个体意识"内在需要"的"心灵之光",体现了西方油画由"客观"追求到"主观"彰显的转变轨迹,这种轨迹的梳理使我们认识到油画语言从自发抽象到自觉抽象的演变规律,从某种角度来说,绘画语言的日益抽象化导致了二十世纪西方现代美术的发展与变革。 As important vocabulary elements of the "light" of a figurative oil painting occupies a special position in western oil painting art and conveys different "semantic" at different stages of the development of oil painting. It expresses not only "reappearance" light for respecting scientific reality but also soul light which flaunts inner requirement. It shows the transformation of western oil painting from objective pursuit to subjective reflection. The path enables us to understand the evolution from spontaneous abstract to conscious abstract of the language of oil painting. From a certain point of view, the abstractness of the language of oil painting led to the development of western modern art in 20th century.
作者 张剑
机构地区 宁波大学
出处 《浙江工商职业技术学院学报》 2013年第3期37-40,共4页 Journal of Zhejiang Business Technology Institute
基金 浙江省社科联重点课题"具象油画的抽象性语言"(编号2012Z73)阶段性研究成果
关键词 油画语言 抽象性 language of oil painting light abstractness
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参考文献3

  • 1中央美术学院美术史系外国美术史教研室编.外国美术史[M].北京:高等教育出版社,1997.
  • 2鲍思度.西方现代派美术[M].北京:中国建筑出版社,2009.
  • 3邵大箴.西方现代美术思潮[M].成都:四川美术出版社,1992.

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