摘要
从视觉角度,通过对贵州傩堂戏与道教视觉语言的比较,发现傩戏中存在着大量的道教元素,可以确定两者在发生、发展中有着密切的联系。由于道教是一种宗教文化,傩戏只是傩文化中的一个具体表现形式,因此,在做横向对比时,则将傩戏这一特殊载体回归到傩文化或傩坛的范畴与道教进行比较,试图对两者现实存在的关系进行补充说明。
This paper through describing existing and representative Nuo opera in Guizhou from the perspective of visio, found the Nuo Opera in guizhou and Taoism has the strong similarities in the visual images. According with demonstrate the visual language with Nuo Opera and Taoism, we can prove that today a large number of Taoist elements include in Nuo Opera and have a relationship between Nuo Opera and Taoism. Taoism is a religion and culture, however, Nuo opera is mealy a specific form of expression in Nuo culture. Therefore, be horizontal contrasted, the Nuo opera as a particular vehicle will return to Nuo or Nuo culture, and make a comparative study with Taoist. This paper try to explain that the relationship between Nuo Opera and Taoism.
出处
《贵州民族研究》
CSSCI
北大核心
2013年第5期92-95,共4页
Guizhou Ethnic Studies
关键词
视觉
傩堂戏
道教
Vision, Nuo Tang Opera, Taoism