摘要
在分析夜郎文化概念及构成要素的基础上,对黔、湘、渝三地的15个夜郎文化旅游项目进行了多维度的比较分析,得出几点启示:一是时间定位以秦至西汉为截取点;二是文化定位以出土夜郎文化文物为基础;三是夜郎文化公共符号表现突出;四是项目与自然景观、民族风情有机融合。以此为鉴,为后续此类项目建设提供参考。
Focusing on the connotation and characteristics of Yelang culture, This paper have compare 15 Yelang culture projects distribute in Guizhou, Hunan and Chongqing provinces, and draw four conclusions, such as time select during the western Han dynasty to Qin dynasty, cultural choose to excavation of Yelang as the foundation, the Yelang public symbol distinguishing, project combined with natural landscape and ethnic customs ingenious. It' s providing a reference for the subsequent Yelang tourism projects.
出处
《贵州民族研究》
CSSCI
北大核心
2013年第5期151-154,共4页
Guizhou Ethnic Studies
基金
湖南省民间非物质文化研究基地项目(FWZZB2013-1)
教育部人文社科规划项目(11YJA850021)
关键词
旅游项目
比较
启示
夜郎文化
tourism projects, comparison, enlightenment, the Yelang culture